Jeremy Blake - Century 21 (2004)

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Jeremy Blake carefully read traditional coloring in art school. "If you had asked me if I was partial in computers as a implement to make art, I would have declared no," he says. But when Blake graduated from Cal Arts in 1995, he needed a job - and found a gig in New York as a digital photo retoucher. "I worked for a Corsican guy who berated me in French because I was so bad," Blake recalls. "After a few months he declared, 'Jeremy, I'm very afflicted because you are cool guy, but you have no futurity in computer!'" The job was a mishap, but the experience of manipulating images pixel by pixel lit a melt. "The computer is the visual equipollent of an electric guitar," Blake says. "I was practised on an acoustic."

Ten years later, Blake has combined coloring and computers to bring forward a techno take on orally transmitted portraiture. His latest control is Sarah Winchester, the deviating from a circle heir to a firearm casualty. After her husband and bairn daughter died in the 1880s, she concluded that the parents and children was cursed, haunted by the turn of mind of those killed with Winchester rifles. On the warning of a medium, she built an abnormal mansion in San Jose, California, to alleviate the ghosts. "I had peruse about it as a kid," Blake says. "I knew it was a home built around fanaticism - a fear of departed gunfighters - and it seemed to mirror contemporary events." Blake's 51-little portrait of Winchester is contained on three DVDs, which will shield together in the US for the first time at the San Francisco Museum of Novel Art beginning February 19.

The first thin skin, Winchester (2002), opens with the household mansion fading in and out of point of convergence as the shadow of a gunman drifts across the protection. Odd elements are juxtaposed - cowboys from old ads morph into tracings of the dwelling's art nouveau wallpaper. The next to the first DVD, 1906 (2003), returns to the abode...

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